Skip to main content

Young British Poets in The Manhattan Review

An interesting, varied and substantial biannual publication, The Manhattan Review has long been featuring exciting work by leading American, British and international poets alike, from John Burnside to D Nurkse, Pascale Petit to Les Murray, Ruth Fainlight to David Constantine, George Szirtes to Penelope Shuttle, and of course the late, great Peter Redgrove, who remained a regular contributor until his passing.

But of special interest in the latest issue, as well as work by Tim Liardet, John Kinsella, Polish poet Julia Hartwig and a number of those listed above, is an important feature – something of a welcome, occasional aspect of the publication, taking stock of trends and developments in contemporary poetry across the globe – in this instance, ‘Seventeen Young British Poets’, edited and introduced by Todd Swift.

As a successful editor – having put together Poetry Nation and 101 Poets Against the War, both of which featured a broad, eclectic sweep of established and emerging poets, as well as the Life Lines: Poets for Oxfam recordings – Swift’s selection is a thoughtful one, and his understanding of British poetry as a partial outsider (a Canadian living in London, both British and North American influences are much in evidence in his own poetic sensibility and attitudes) makes his introduction and its justifications an intelligently written and largely convincing read. The seventeen poets featured, then, are a selection of those which both Swift and co-selector Philip Fried (longstanding editor of The Manhattan Review) suggest are currently most successfully drawing from, developing upon, and in rich conversation with the complex poetic ‘schools’ that precede them, most obviously the British lyric tradition (whose current talented practitioners, as Swift notes, include Sean O’Brien, Don Paterson, Roddy Lumsden, George Szirtes, and Hugo Williams) and the more modernist-influenced British avant-garde, whose linguistically interrogative approach is perhaps best exemplified in the work of J.H. Prynne.

Though bold and, as with all such predictions, less than certain, then, the central claim to the selection is not an unreasonable one: that ‘every one of these poets would likely be found on a list of the thirty most impressive, or original, new younger writers to start publishing in the 21st century’. So who are these poets? They range from the lyrically gifted Jacob Polley to the linguistically dextrous Daljit Nagra, and span from recent Eric Gregory Award winners and other emerging voices to those whose recent prize-winning books are slowly helping to reshape, develop and evolve British poetry today. Among them are the playfully inventive wit of Luke Kennard, the quirky and fresh lyricism of Emily Berry, and the markedly contemporary suburban tales of Kathryn Simmonds. They are seventeen poets at varying stages of their still collectively early development as writers, and this feature gives a taste of their early output with two new poems by each, something which, to The Manhattan Review’s great credit, few other magazines have the space or ambition for (also worth mentioning are its regularly featured lengthy essays on contemporary poetry, as in the current issue’s ‘Smuggled Under the Threshold of Listening: Encountering Alice Oswald’).

It’s well worth picking up a copy of the Fall/Winter 2008/9 edition, then, which can be ordered from the magazine’s website here, not only for the important and interesting Young British Poets feature itself, but to sample the poems, essays and translations of a publication worth subscribing to.

Comments

Unknown said…
And I see the editor is published by Salmon press, here, so... what am I waiting for... did you order by snail mail... pity they don't have a electronic means of purchasing.
Ben Wilkinson said…
It is a shame, Barbara, and makes it difficult to get hold of for those of us outside the US. If you send the amount with sufficient IRCs as suggested, though, that should be fine, but if you have any questions, I'm sure the editor would be happy to answer them via email.

Otherwise, there will be a launch event for the magazine's feature in London, with copies available, as part of Todd's Oxfam Winter Poetry Festival '09:

Thursday 5 March 2009 – 7 pm start time

The Manhattan Review Launch in London

With special guests Phil Fried, in from New York, and Penelope Shuttle.

And featuring “The Young British Poets”, including Joe Dunthorne, Daljit Nagra, Luke Kennard, Nathan Hamilton, Melanie Challenger, Alex McRae, Sally Read, Isobel Dixon, and others...

Promises to be a good event. If you can't make it, I should hopefully be going so perhaps I could get you a copy and post it?
Unknown said…
How badly would I love to go?!? Don't tempt me... but sadly, the CEC (current economic crisis) won't let me.

I'll just have to settle for someone posting a report of the event and hopefully getting you to pick up that copy - I can send you some Irish journals in return - Poetry Ireland Review, The Stinging Fly and The SHOp..?

*sobs into handkerchief*
Unknown said…
Right. I had a think about this: I was hoping to get to StAnza & that's not going to happen unfortunately due to teaching commitments...so, I'm coming over after all - needs must when the devil drives ;)

Really looking forward to meeting you and hearing the poets on the evening... can't wait! :)
Ben Wilkinson said…
That sounds great, Barbara, and it'd certainly be good to see you there. The only problem I have is whether work might get in the way of me attending the Manhattan event - quite a lengthy train journey from Sheffield to London, so I'm waiting on whether I'll be free on the Thursday and Friday, and also finding a mate's to crash at for the Thursday evening. If I can sort those out, I'll definitely be there!

Popular posts from this blog

Poetry in Motion

POETRY IN MOTION
Why one Reds supporter is committing his love for Liverpool FC to verse


Liverpool FC and poetry have a lot of previous – from John Toshack’s Gosh It’s Tosh collection in the late 70s, to the verse of Dave Kirby and Peter Etherington in the fanzine Red All Over the Land, to the lines written by poet laureate Carol Ann Duffy, a University of Liverpool graduate, in the aftermath of 2012’s Hillsborough findings. Now there’s Ben Wilkinson, Reds fan and book critic for The Guardian and the Times Literary Supplement, who’s compiling a series of poems commemorating the club’s legends. “Football is part of the fabric of life, and anything that’s important to people finds its way into poetry,” he says. “Wilfred Owen’s poem 'Disabled' describes a soldier who loses the use of his legs, meaning he can never play football again. Philip Larkin’s 'MCMXIV' compares boys queuing to join the army to fans outside Villa Park. These poems have stood the test of time because t…

Way More Than Luck: 27.2.18 - the launch

Louis MacNeice

‘World is crazier and more of it than we think, incorrigibly plural’. Even if you’re not that well-versed in modern British and Irish poetry, chances are you’ll still know ‘Snow’, or a line or two from the poem will seem naggingly familiar. While still in his twenties, Louis MacNeice wrote it in 1935, and since then, it’s been a favourite with readers, writers and editors, cropping up in every kind of poetry anthology.

Weird, then, that MacNeice’s work has often been seen as a footnote to that of his illustrious pal W.H. Auden, when he’s so clearly a hugely original poet in his own right. And when, among more recent generations, the likes of Seamus Heaney, Michael Longley, Derek Mahon, Don Paterson and Conor O’Callaghan have all cited him as a major influence in their own writing. It’s not like ‘Snow’ was a one hit wonder, either. Despite some of the less exciting – and often lengthy – stuff he wrote in the early 50s, MacNeice only got better, perfecting his moving, atmospheric and pow…