Never mind movements, schools and styles: fundamentally, there are two types of poet – those who see spirits, and those who just drink them. As Sean O'Brien noted when reviewing her Faber New Poets pamphlet in these pages in 2009, Fiona Benson is a sober, contemplative sort. But as her first full collection Bright Travellers reveals, she is as much drawn to the metaphysical as to the mystical, treating the poem as a kind of secular prayer. The opener, "Caveat", may be a terse appraisal of the cactus, its "moist heart" and "store of water / held beneath its spines" a working model of life's resilience in the face of inevitable hurt. But, elsewhere, a poem such as "Lares" is a full-blown hymn to the "small ghost" of a bird, conjuring this "noosed spirit of the eaves" as gatekeeper of a hidden world beyond our everyday outlook. Benson often draws on personal experience in her writing – wading "thigh-deep in polle
A new poem of mine features in the New Statesman Christmas issue, alongside two short poems by Alison Brackenbury and a new short story by Lawrence Osborne. Read it above, or on their website .