If 2017 was a lean year for poetry, as someone has said, I can’t say I noticed. Daljit Nagra’s The British Museum (Faber) introduced a clear-eyed, politically incisive approach to the poet’s established facility for socio-cultural commentary, in poems as rangy and playful as ever. Among debuts, Kayo Chingonyi’s Kumukanda (Chatto) is every bit as good as I expected, from its unflinching negotiations with lingering racial divisions, to its playfully nostalgic hymns to mixtape assembly, as well as rap and hip-hop’s influence on the poet. Simon Armitage’s The Unaccompanied (Faber) also deserves a mention, negotiating our strange times through precise image-making, conversational wit and formal skill. For poetry pamphlets, business again is booming, with too many to list here (though The Poetry Business has the lion’s share; hence their recent Best Publisher win at the Michael Marks). But one that’s definitely worth seeking out is Al McClimens’ Keats on the Moon (Mews Press). McClimens’ is a casual, wry and chatty voice, uncompromising and guarded, but capable of strange tenderness.