Skip to main content

Rodrigo Y Gabriela


Easily the musical highlight of my weekend at Latitude was seeing Rodrigo Y Gabriela for the first time. It's hard to describe what exactly they do as it's not only breathtaking and a wonder to behold live, but something you have to experience to fully understand and appreciate. Having said that, their eponymous album is an incredible piece of work (especially considering it was largely recorded live), and well worth the buy. As you'd expect, the pair's website gives the best description of their sound:

"Rodrigo (Sanchez) and Gabriela (Quintero) are two fast-fingered, Dublin-based, Mexicans with a unique sound created on acoustic guitars. Their music is difficult to define, straddling both world and rock, and often imbued with timeless Hispano – classical influences. The fire in it comes from their life-long passion for metal music. This spring, "Rodrigo y Gabriela," beat both the Arctic Monkeys AND Johnny Cash to number one in the Irish charts.

Rodrigo is a deft finger-picker who can move from raging speed to sensual soul in the space of a fret, while Gabriela employs fast, rhythmic techniques. Her percussionist's thrashing of strings and drumming of the instrument's body inevitably raises comparisons with flamenco – which they acknowledge as an influence but swerve as a pigeonhole. The duo's repertoire flies beyond familiar Latin folk guitarists' styles because of the metal connection: their reworkings of Led Zep's "Stairway to Heaven" and Metallica's "Orion" are musts, and the presence, on "Ixtapa", of the fiery Hungarian gypsy violinist, Roby Lakatos, is inspirational."

I urge you to give it a listen, or if you get the chance, go and see them live. You won't regret it. Incredible stuff.

Comments

Popular posts from this blog

Way More Than Luck: 27.2.18 - the launch

Some tips on putting your pamphlet together — winner of the 2013/14 International Book & Pamphlet Competition

There's only this weekend left to submit your pamphlet of poems to the most prestigious pamphlet competition in the land: The Poetry Business Book & Pamphlet Competition 2020

This year's judges are the hugely celebrated writers Imtiaz Dharker and Ian McMillan. Find out more, and enter online, here. You've got until midnight this Sunday 1st March.

Here are some tips I've put together, as winner of the 2013/14 competition for my short collection For Real. Good luck!

• First off, I should mention it took me a good few years to get the pamphlet into shape, and like almost every winner, I entered the competition more than once before winning. Treat the experience as a learning curve: the positive pressure of a deadline and of your work being judged carefully and seriously will help you to improve whatever the outcome.

• Front-load your pamphlet. Every editor in the land knows that you put the very best poems at the front of a book. The first three poems in your pamphlet s…

Poetry in Motion

POETRY IN MOTION
Why one Reds supporter is committing his love for Liverpool FC to verse


Liverpool FC and poetry have a lot of previous – from John Toshack’s Gosh It’s Tosh collection in the late 70s, to the verse of Dave Kirby and Peter Etherington in the fanzine Red All Over the Land, to the lines written by poet laureate Carol Ann Duffy, a University of Liverpool graduate, in the aftermath of 2012’s Hillsborough findings. Now there’s Ben Wilkinson, Reds fan and book critic for The Guardian and the Times Literary Supplement, who’s compiling a series of poems commemorating the club’s legends. “Football is part of the fabric of life, and anything that’s important to people finds its way into poetry,” he says. “Wilfred Owen’s poem 'Disabled' describes a soldier who loses the use of his legs, meaning he can never play football again. Philip Larkin’s 'MCMXIV' compares boys queuing to join the army to fans outside Villa Park. These poems have stood the test of time because t…