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Showing posts from April, 2010

Robin Vaughan-Williams: The Manager

Managers, offices, the daily grind, rows of computer screens, crap coffee machines ... a fair number of contemporary poets have been swift to pen their thoughts on the typical working conditions of modern life, but a new pamphlet I recently received, The Manager , is, I think, a novel and original take on the 9-5 world that most of us inhabit. As its title suggests, it centres on the shifting persona of "the manager", in a sequence that moves from the serious to the irreverant and from the depressing to the uplifting with surprising ease. A few excerpts to pique your interest: The manager has proverbs on the wall about being a good man and he reads them at times of intense isolation when his office has become a cell and the laughter in the next room is a barrier he has not the skill to clear. (Manager #1: Mantra) The manager burns, he burns with the heat of an example others will follow: a new kind of leader. (Manager #5: Health & Safety Incident) The manager's eyes

Our Disappearing World

The latest issue of Poetry Review , Our Disappearing World (100:1, Spring 2010) has just been published, and features a broad array of interesting poems, features, and reviews: just received my copy the other day, so haven't had chance to enjoy it in full, but so far Alison Brackenbury's article on the work of John Clare, Jacqueline Gabbitas's round-up of recent pamphlets, and poems by Glyn Maxwell, John Stammers, James Midgley and Liz Berry have all caught and held my attention. In particular, Liz Berry's "In the Steam Room" is impressive: a minutely detailed, gorgeously sensual and descriptive poem that is also, in parts, that touch uncomfortable - great stuff. I'm particularly pleased, then, to see it included in a section of the magazine, "Now and Then", which takes its title from a poem of mine, also in issue, and also includes poems by Alex McRae, Tamar Yoseloff, Tom Gilliver , and Daniel Weissbort . The issue also features the winners o